In less than a month, the first batch of 90′ s will be in Grade Three.
Under the pressure of 2020, the post-90 s were forced to go to several hot searches.
How miserable is it after 90? The flesh is bulging, the wallet is empty, and the hair is bald.
But I think these tragedies are nothing. After all, we were abused from childhood.
Recently, I found that cartoons, which should be good memories of childhood, are abusive in the memories of our generation.
90% of the first tears after 90s were dedicated to domestic cartoons..
When the editorial department was discussing which animation was the most cruel, I thought of Beckham’s Wandering.
Just talking about this ancient animation in 1999, my colleague quickly interrupted:
"Stop it, 20 years later, I just want to cry when I hear the words’ Beckham’s Wandering’. "
Not only her, but also netizens feel that this animation is too abusive.
Some people were unwilling to cry alone when they were young, so they took Beckham’s Wandering Story to the kindergarten to share with other children, and they wanted to cry together.
What does such a cruel animation say?
A kitten named Beckham accidentally separated from her mother, grew up after many hardships, and finally returned to the city to find her mother.
The opening episode is the worst nightmare of countless children: being forced to be separated from their mothers.
Beckham was picked up and sent away by Xiong Haizi, and the cat mother was anxious to chase the truck all the way.
But how can a cat catch up with a truck?
Mother cat was thrown out of the car, covered in injuries, watching the truck go away, crying and shouting "Beckham".
People driving by almost ran into it and scolded, "What a crazy cat."
No one understands that the cat has just lost its own child.
And just this scene of a cat mother chasing a car is enough for me to cry.
I remember going to the convenience store to buy things when I was a child. My mother always waited for me at the door. Once I didn’t see my mother after I came out. She was not here for a minute, so I couldn’t help crying. My mother coaxed me all afternoon.
Later, for a long time, I had the same nightmare again and again.
In my dream, my mother kept going forward. I shouted at her desperately but didn’t look back. I tried to run and catch up, but I couldn’t catch up.
At the end of every dream, I wake up crying.
So every time I look at Beckham, I think of the fear of leaving my mother when I was a child, and the feeling of being abandoned, and I will automatically substitute myself into Beckham.
Beckham was laughed at for being "screaming like a mouse" because he was born thin, so he always insisted on self-reliance and said "I can do it" in a milk voice.
It wandered alone in the wild, being chased by wolves and being rained, and it became stronger after repeated tempering.
But all the strength collapsed when the mother dog asked him, "Why don’t you go home?".
Beckham couldn’t help it any longer, threw himself into the dog’s mother’s arms and cried, "Mom can’t find it, I was taken away."
As I get older, I’m getting more and more afraid to watch this scene of heart abuse.
Probably my love for the cat owner began with Beckham.
Beckham’s Wandering Story is the earliest enlightenment animation about affection I have ever seen. Although its plot is not complicated, it accurately captures the pain point of children’s "fear of being separated from their parents" and describes the cruelty of mother-child separation to the extreme.
In fact, this animation is not about bitterness, because its real core is not separation, but growth.
In the process of wandering, Beckham has grown from a little suckling cat who was ridiculed as "barking like a mouse" to a strong and brave "white leopard", and even learned to glide by flying squirrels.
So looking back, "abuse" is just the appearance of Beckham’s Wandering.
What we will eventually arrive, the original taste of lonely and painful growth, is what it wants to convey more.
If you think that this kind of "abuse" for children is not deep enough, there is a complicated abuse method in domestic animation.
After 2000, domestic animation entered the peak creation period, and countless masterpieces emerged. What I have to mention is that it has a peak level. Biography of Lan Tu, the Rainbow Cat..
This animation, in the present words, is "2006 explosion".
It was so popular that every primary school student dared to grab the remote control from his parents and wait for updates in front of the TV.
The fire made the students frantically collect the plastic version of the "Seven Swords", and the opening was "Changhong Penetrating the Sun" and "Fire Dance Whirlwind".
It can be said that my happiest thing in those days was to move a small bench with my sister and sit in front of the TV to watch Rainbow Seven.
As a children’s animation, Hongqi is talking about the adult’s martial arts world.
The villain, the black-hearted tiger, led the evil cult in an attempt to dominate the world. As a descendant of the seven swords, the rainbow cat went down the mountain to find other descendants of the six swords to stop the atrocities. Only the combination of seven swords can defeat the black-hearted tiger and defend the peace of the earth.
But in such a passionate martial arts story, The most abusive person turned out to be the villain Black tiger..
Black tiger is a young demon master. He adores Lan Tu with all his heart, knowing that they can’t be, but he is still infatuated.
When I was a child, I liked Rainbow Cat and Lan Tu, and I thought they should be a couple, so I hated seeing Black tiger.
Including his pursuit of Lan Tu, it seems to me that "a toad wants to eat swan meat", and he is an out-and-out bad guy.
But it was later discovered that, Black tiger is a very complicated role..
He will kill the seven swords without mercy.
Will also show childlike innocence in front of his father, full of tenderness in front of Lan Tu.
He was ambitious, capable and persistent, and eventually he died because of his crazy obsession.
Hongqi’s values are diverse. It will argue about "the opposition between good and evil" and discuss "which is right and which is wrong". As Black tiger’s voice asked:
"What is positive and what is evil? Is it wrong for me, Black tiger, to help my father wholeheartedly? "
Black tiger has the pain of not loving, but also the pride of being a villain.
His whole role is very full, from aboveboard in the early stage to "blackening" in the later stage.
That’s why, Black tiger can make small audiences still remember it after many years.
And those details that we ignored in those years are exactly what the screenwriter wants to express in the animation kernel.
Rainbow Seven shows us the most complicated and unspeakable part of human nature in the form of animation, and it doesn’t give the only answer to anything.
It provides us with more angles to interpret the world, boldly gives the power of interpretation to children, and at the same time, it also gives humanity the gentlest touch.
When taking stock of the domestic heart abuse animation, I found that there is a deeper abuse method that has been ignored by us.
It is not a bitter tear, nor is it as complicated as the emotional touch of Hongqi.
It’s not for children, Its tragic implication can only be truly understood by adults.
For example, it was broadcast in 2007. Chef Xiao Fugui.
It may be "the loudest animation in childhood", and the dubbing is a bit spicy.
But it is also "the most thoughtful animation in childhood", and everyone who grows up after 90 will break out in a cold sweat in retrospect.
The tragedy of this animation is not in the plot, but in its bold ending.
It dares to break the inherent "truth, goodness and beauty" and "happy ending" of domestic animation and give children a critical blow from reality.
This attack was not only fierce enough at that time, but after many years, when we really tasted the taste of life, the abuse point continued.
In fact, from the story background, we can guess that this animation is not simple:
It happened in the stormy late Qing Dynasty.
Xiao Fugui’s grandfather was framed and imprisoned. In order to save his grandfather, he had to get the golden kitchen utensils and become the chief royal chef of Cixi, which is also the core task of the whole play.
However, at the instigation of the villain K, the eunuch Xiao Lizi constantly made trouble for Xiao Fugui, and once caused Xiao Fugui to lose his taste.
But in the finale, Xiao Fugui finally found it difficult to get the gold kitchen utensils, but his grandfather in prison died suddenly at the moment he learned the news.
He died alive and happy.
In order to save Xiao Fugui, the old doctor died with the bad guys.
Xiao Fugui wanted to accuse Lord K of conspiracy, but there was no evidence.
The only flying butterfly who is really kind to him has already been forced out of the palace, and I don’t know where he is.
This seemingly prosperous court has no place for Xiao Fugui, and he has lost all important people.
And Xiao Lizi, the reason why he has been targeting his friend Xiao Fugui is only because Lord K threatened his parents’ lives.
But he didn’t know until the finale, His parents starved to death in the street as early as when he entered the palace as a eunuch.
He cried bitterly: "Lord K, you lied to me! I killed Xiao Fugui. My friends who really treated me well have all gone, Xiao Fugui and Xiao Feidie, where are you? "
From the leading role to the supporting role, no one has a good end.
When I watched it, I was too young. I just thought the ending was too cruel to watch, and I couldn’t understand the painstaking efforts of the producers. I don’t understand why I couldn’t give everyone a perfect ending.
Later, when I grow up, I find that reality is not utopia, and those things that make you powerless happen all the time in this world.
Just as we can’t delay our parents’ aging and death, and we can’t recover the lost love, the friends who were once close again are just friends who are praised by friends when they meet again.
The truth that these adults learned only after they experienced it was hidden in the ending of an animation.
It silently bears all the incomprehension of the audience and has been waiting for you to grow up and understand.
Some people say that the ending of "The Chef Little Fugui" is desolate and tragic like "The Water Margin". The separation of relatives and friends and the collapse of the dynasty building are the tragedies of naked individuals and times, and the tragic ending of the protagonists is the best metaphor of the dynasty’s desolation.
This tragic color is hardly reflected in more than 100 episodes of the plot, and small audiences will only find it interesting when they watch it in the early stage. It was not until the end that the sad background color of the animation was really revealed.
From great joy to great sorrow, it is only a moment. So are people, and so are times.
It turns out that more than a decade ago, we had such a profound animation, giving children a window to touch reality.
Think about it carefully, the post-90 s who were abused by domestic animation are not as fragile as when they shed tears.
When we were young, we watched pure abuse and felt pure where will you go;
A little older, with more complicated feelings, I began to understand the many aspects of human nature;
And the deeper sorrow and abuse needs us to experience it slowly when we grow up.
There are more than these domestic heart-abuse animations, such as Lotus Lantern, Legend of Nezha, Adventures of Little Carp, Go Boy, The Return of Tiger, Chinese Boy …
Together, these excellent animations have built the golden age of domestic animation.
The reason why we are crying while being abused is precisely because. The creators didn’t treat the children as fools and made up enough time with empty and boring plots.
They truly respect the children’s spiritual needs and show the real life with wonderful and moving stories.
They don’t shy away from death, talk about good and evil, and show the cruel grief of reality to their children.
Whether it’s the true feelings of mother and son, the passionate feelings of Jianghu children, or the bright and dark side of human nature, you can find the answer in these animations.
These seemingly cruel animations just give a generation of children a strong spiritual power and tell us what is good, what is evil, what is true and what is false.
Even if I grow up in tears, I still have the courage and hope to face life.
If you have been abused by these animations, just click one. "Watching"Ok.
Thank you to those pioneers who dreamed our dreams and dared to break them. Thank you for bringing us all smiles and tears.
That is the truest appearance of life..