标签： 上海阿拉后花园论坛

Yang Mi broke the can？ ＂Eye of the Storm＂ is not promoted, in fact, this drama is worth watching

Yang Mi was suppressed for a long time, and it was delayed until now that the "new drama" "Storm Eye" was officially broadcast on Star Oriental Satellite TV and Zhejiang Satellite TV. However, after successfully landing on the TV station to broadcast this year, no one cared. After more than a dozen episodes were broadcast, there was not even a single hot search.

Combining the recent state of Yang Mi himself, two days ago, attending the Weibo night event, a dress and the host collided colors, and another dress was picked out by netizens as a haute couture. At the event site, and because of the organizers’ fan operation, they forced the female stars to learn to take pictures of auntie silk scarves. Yang Mi couldn’t play with the silk scarves, hung his hair, and was complained by netizens. During the Chinese New Year, Yang Mi pressed Dabao and spared no effort to publicize it. The "Assassination of the Novelist", which was carefully shot, has only passed 900 million at the box office. It is far from enough to recover the cost of 11-1.20 billion yuan. The loss is a matter of DingTalk on the board.

At this time, the new TV series was broadcast, and Yang Mi had no enthusiasm to promote it at all. The netizens were saying, could it be that this is the rhythm of breaking the can?

The reason why the new drama "Eye of the Storm" has not moved is that the theme of the TV series is somewhat positive, neither dog blood nor idols. Nowadays, there are not many viewers who are willing to watch TV in front of the TV. Those who sit in front of the TV and watch TV series regularly are the small group of viewers who are keen on dog blood and horses, and it is best to involve two generations of entanglements. In their eyes, the national security police, no matter how exciting the modern espionage is, are not as good as the family.

At the same time, in the recent period, "Storm Eye" has been facing a powerful opponent’s attack. Audiences who like to follow dramas are either watching "Mountain and River Order" or "Fatty Son-in-law". "Fatty Son-in-law" is the base of the explosive drama team, and "Mountain and River Order" is a change of fate against the sky. Which one is more gimmicky than "Storm Eye".

It is also worth noting that the actors of this drama, the audience who are familiar with chasing dramas, saw that it was the actor under Yang Mi Company, commonly known as "Jiaxing Gift Bag". One by one, they had to act without acting skills, and they had to work without works, plus the director and screenwriter were also disconnected. The first impression of netizens was that they were cowardly, so they didn’t want to mention what happened later.

However, in reality, this drama still had many advantages. First of all, from the most obvious data quantification performance, everyone can clearly see that "Storm Eye" got a score of 6.5 on Douban. Although this can’t be considered a high score, but looking at the protagonist Yang Mi, her work has a poor reputation on the whole network, and no one dares to compliment it. This has led to many people automatically deducting points when they see Yang Mi when they score, so this score that has just passed in Douban should probably be mentioned online without Yang Mi’s prejudice.

Moreover, unlike the previous dramas that sail under false colors, which cover a variety of professional themes, the male and female protagonists fall in love. In this drama, the male and female protagonists do have emotional lines, but the focus is not on falling in love, and the two people are never vague when they should work.

The heroine Quiet is not an extraordinary character with an extraordinary IQ in American dramas, but an ordinary person who graduated from college, one step at a time. When she became the section chief, her mother dropped it on the table and quickly picked it up and put it back in the bowl. She is called "Sister Jing" by her new colleagues. She will receive surprise wishes on her birthday and work overtime for supper at night. This drama is really vivid as if this workplace is the status quo of the people around us.

Looking at the main storyline, of course, it’s about catching the bad guys. Many of the audience who were watching were saying that they felt that their brains were not enough, and except for the male and female protagonists, the others were all bad guys. In addition, this drama directly upgraded the spy war drama into a science fiction drama, presenting everyone with a big show of disguise. With such a plot and a reliable prop group, it seemed that they were not watching domestic dramas, and they sincerely wanted to praise: domestic dramas, you have made a fortune.

What’s more rare is that Yang Mi gave up dubbing in the drama and used her original sound lines. Her voice has been criticized. For this drama, it seems that she deliberately pressed her voice to speak, and there is indeed some progress.

The audience rating of "Eye of the Storm" on the two channels of Oriental Satellite TV and Zhejiang Satellite TV has been hovering around 0.6 and 0.5. Such results are not considered to be on the street, but there is no discussion on the Internet. Yang Mi himself does not promote it vigorously, so the reputation of this drama is only fermented in a small area. However, this is also uncertain. What if this drama can open low and go high and successfully counterattack?

Peng Yuyan： Strongly through the desolation

Original Madame Figaro Madame Figaro

Forging and polishing the body as the container of the character, extreme self-discipline, concentration, and almost symbolic masculine aesthetic template, these characteristics related to beauty and will character constitute Peng Yuyan, or rather, the established impression of Peng Yuyan facing the outside world. After more than 20 years in the industry, the accumulated works have continuously consolidated this side. Peng Yuyan is no longer a name, but a label bound to many entries.

When he leads his dog on the red carpet and beach in Cannes, people are in a trance for a moment: Peng Yuyan is actually 42 years old? – Yes, he has reached the age of a middle-aged actor, and time has left natural marks on his face. In the upcoming movie "Dog Formation", Peng Yuyan plays a northwestern man released on parole, dark, hunched, silent, and almost without lines. On the cold and desolate Gobi, forsaken by human society, he and an equally lost black dog depend on each other and redeem each other.

After the film was completed, he adopted the partner who helped him complete most of the filming and named him Xiao Xin. On May 24, "Dog Array" won the Best Film Award in the "One Kind of Attention" section of the 77th Cannes Film Festival by a unanimous vote. Xiao Xin also won the "Golden Palm for Dogs" jury award specially designed to honor animals at the Cannes Film Festival. Peng Yuyan accepted the award on his behalf. He smiled and teased that he came to Cannes with the "Roll! Ashin" crew 13 years ago, but did not win the award. Xiao Xin won the award the first time he came.

At the seaside of Cannes, passers-by asked Xiao Xin’s name was "Xin" of "Hard"? He gently corrected: It was Xin of Cinderella.

Like Erlang in "Dog Formation", he is also back on the road. With Xiao Xin, there is also a stable heart.

Before "Dog Array," Peng Yuyan had not been filming for two years. The pause button was initially pressed by the environment, and he himself wanted to seriously consider the next development direction, so the pace naturally slowed down. Over the past decade or so, his amazing will for movies and performances has become a self-discipline sample: substantial muscle gain, fat loss, various professional-level skills, high cooperation without fear of hardship, and willingness to "suffer". The director who has worked with him commented, "Peng Yuyan can use his soul to command the body. He doesn’t care how much damage, laziness and coquetry his body has."

When suffering becomes the norm, the outside world is naturally full of curiosity and inquiry, and the bitter swallower himself can only give his own answers again and again in interviews and inquiries. In this interview, the 42-year-old Peng Yuyan was much more peaceful, just smiled lightly, "I need a breakthrough point and landing point for the performance, otherwise how can I act? The process of preparation and learning can help me enter faster. Is there a real happy creation in the world? I want to say I have it, that would sound cool, but it turns out that I don’t, I really don’t have it."

In this industry, "hand familiarity" is almost non-existent, and any actor with creative requirements will tighten in front of the camera, hoping to give an expression that meets the standard or breaks through his own. Peng Yuyan has expressed his reverence for acting more than once, and to this day he still worries that he will not be able to act well and that the homework for the role is not enough. "There are still a lot of helplessness and doubts in the acting, and there are too many uncertainties in the process. But I can’t help it. I try my best to do it, and I can only believe in myself at that time."

When the cast of "Dogs" was announced, some netizens expressed skepticism that Peng Yuyan, who is regarded by the public as tall and handsome, is difficult to connect with the social fringes released on parole in small towns in the west. But after the film was screened in Cannes, it received a warm response. Zavier Dolan, who is the chairperson of the jury of the "One Focus" section, said, "This is a master director’s work."

The story takes place in 2008 in a small town on the northwestern border. Peng Yuyan plays Erlang, who is released from prison on parole. He has a shaved head, dark complexion, and a little hunched back. From time to time, he purses his lips and shrinks, his eyes are indifferent and dull, and he is full of vigilance and defense. The whole film may only have dozens of words, and the silence that borders on aphasia also represents Erlang’s departure and break from society. Because of his special status, he is banned from leaving the town and has no hope of a new life. Forced to make a living, he can only join the local dog fighting team that rounders up stray dogs.

In the pursuit of a black dog suspected of carrying rabies virus, Jiro and the black dog "don’t bite and don’t know each other". It is also because of the mutual company and redemption of the black dog that Jiro has gained the courage to go back on the road and break through the "array" that once limited him. The film’s tone is cold, and there are a lot of large-scale vistas of the desolate landscape of the Gobi, where one person and one dog are particularly insignificant. But even such a person who struggles to survive in harsh weather and embarrassing situations still has real desires and dreams. He wants to have a new life.

Unlike most of Peng Yuyan’s screen images, the character of Erlang can be said to have nothing to do with good-looking, and the whole person is withdrawn and gloomy. In order to be close to the identity and local environment, he has to be tanned and rough, and with aphasia and silence, the performance can hardly be expressed by lines. Peng Yuyan initially received the script and thought Erlang was dumb. "Later, it was found that he did not know how to speak, but did not want to speak. He took the initiative to cut off the language and only communicate with people he trusted. This made me feel quite challenged."

Before 2020, Peng Yuyan had been in a state of intense output, shooting seven consecutive plays in one year. His screen image ranged from gymnast to police officer, college student to air-conditioning repairman, and the role map was very broad. But the role of Erlang, Peng Yuyan admitted that it was unprecedented, "I really want to experience this process from the perspective of an observer. And the timing is quite coincidental. I got this script at the age of 40, and it has a strong touch and resonance. If I had seen it ten years earlier, I might not have had these empathy."

There was another reason why Peng Yuyan was moved by the love of the director Guan Hu. "I think the director is a person who loves animals very much." He counted the director’s previous works, "Bullfight", "Killing Life", "Old Pao’er" and "Eight Hundred", all of which had various animal shoots.

The filming was concentrated in Guazhou and Yumen, Gansu Province, where the climate was dry and the ultraviolet rays were strong. Peng Yuyan went to experience life in advance, and learned about the customs, living habits, and intonation and accent. These preparations were no different from every time he entered the group in the past. Step by step, he started to change from the environment and moved closer to the role. But there were also very different content from the past. For example, he didn’t have to over-carve his muscles, and his training programs were replaced by motorcycle and animal rehearsals. The crew hired a professional team to train animal actors, and he also had a lot of training to do.

Animals are extremely difficult to shoot, and there are many uncontrollable factors. There are hundreds of dogs on the crew of "Dog Formation", as well as tigers and other large animals in the zoo plot. These all require Peng Yuyan to rehearse in advance to reduce mistakes on the scene. "Animals are not actually performing, they are just showing natural and real reactions, obeying human instructions, and each reaction may be different," he smiled, feeling that he had become the one being taken away, "I will be influenced, I am not acting, everyone is the real performance."

The director Guan Hu also mentioned in the Cannes interview, "It’s more important to pay attention to the wildness of Peng Yuyan. In many movies, it is difficult for him to show the strong wildness and the loneliness in his body. In fact, he doesn’t need to act. As long as he is given a state, he will naturally show it."

In the film, Jiro tried several times to ride a motorcycle out of the town, but failed. One of the falls, Peng Yuyan has a shot of wiping the blood on his forehead with his hand, with a bit of the mythical mystery of Erlang’s eyes opening, indicating that he is about to break through his inner demons.

However, Peng Yuyan did not specify where Jiro’s awakening was. He felt that the artistic judgment should still be handed over to the audience. After the performance was edited and arranged differently, the final feeling belonged to the audience.

In reality, when I really came into contact with Peng Yuyan, I couldn’t feel the "wildness" that Director Guan Hu said at all. His speech was low-pitched, he loved to laugh, and occasionally he would make a few humorous jokes. In addition, this time he brought Xiao Xin, and he had to appease his emotions from time to time. The whole persona is very soft. "I also hope to say that I can create happily, and I can act simply and easily, but I still want to tell everyone that the filming is not as good as I thought. Sorry, it’s a little ruining my beautiful imagination," he smiled wryly, "Sometimes it rains half the time, or when I have a meal, I have to wait until I come back and then shoot. The mood has been broken, and the state of the human and the dog is not compatible, so I can shoot again, and I can’t help it

But there was a small detail that flashed by, but it could give a glimpse of how he and Jiro fit together –

"Peng Yuyan, who has been repeatedly discussed and written by the outside world, what are the differences between the Peng Yuyan you personally know?"

After listening to it, he almost didn’t think much about it, and immediately replied: "I don’t even know what kind of person I am, and I’m still looking for it. The outside world’s opinions definitely don’t represent all of me. The online world we are in contact with now is used to showing the delicate and beautiful side, but good or bad, I am myself. It’s normal for others not to know or misunderstand, and I don’t care that much about it."

Jiro is speechless and withdrawn. He doesn’t care about the outside world’s opinions, and he doesn’t care about his own injuries. He just wants to ride a motorcycle and leave the town. As a result, he rolls around in the wind and sand, and bleeds in embarrassment. But if you can’t do it once, you have to come again. He is a marginal person in society, but he also has a little enthusiasm in his heart. When he met this role at the age of 40, Peng Yuyan felt that the timing was right. "He gave me some new ideas about the emotional communication between humans and animals, including my own cognition and pursuit of performance. Animals are very simple. They live in the moment and will not hide their feelings. They can receive the kindness and sincerity you release. Now it is all about emotional internal friction. I think it may be that the desire and self-awareness are too strong? You see, I only live with dogs in the play, what’s the point of internal friction, right? "

During his time in Cannes, photos of Peng Yuyan walking his dog on the red carpet and being met by passers-by while walking his dog on the beach appeared frequently on domestic social platforms, and the comment section praised his relaxed state. This is in sharp contrast to the extreme self-discipline that once became his label, and it is also like a strange intertext of fate – Peng Yuyan has indeed entered a new stage of life.

After the pace of work slowed down, Peng Yuyan spent more time with his family and enriched himself. He was very filial to his mother, and he took her to travel around the world when he had time, including this time at Cannes, to share the joy of winning awards directly with his mother. Studio footage recorded him and his mother hugging and cheering, like lively children. During the previous period of recuperation, he also accompanied his mother to do various experiments. "I will accompany my mother to practice the piano and take piano lessons with her. I follow my teacher to learn pottery by myself, sometimes practice calligraphy, read the" Tao Te Ching ", and meditate. The main thing is to experience a lot of different things, and my family likes to do them together."

Before coming to France, Peng Yuyan was deeply impressed by the scenery and architecture of Nice and Lyon, as well as the flower fields of Provence. At that time, he also took his mother to the nearby "clay city", Roussillon, where the soil is rich in red ochre sand mines, famous for its magnificent red cliffs, orange-red house facades and ochre quarries. The town was originally named Viscus Russulus, which means "red mountain" in Latin. The aerial view of the picture is full of red, and it looks full of vitality. – Peng Yuyan introduced with great interest, trying to pronounce the word starting with R, with a serious and funny expression. Everyone laughed.

"I remember that there are shows everywhere near Red Earth City, so I took my mother to play. The houses over there are also red and orange, which is very beautiful. After the ochre is mined, there will be large mines that turn into caves. We watched the projection animation in it, and it felt great."

Of course, the trip was also deeply touched. Peng Yuyan also went to see the room where Van Gogh lived before his death, just like the painting of "Van Gogh’s Bedroom in Arles". The room was low and narrow, and it did not look so comfortable. He also thought about the artist’s creation and life there, some things that were not pleasant and light. As an actor, the sensitivity of the senses cannot be turned off, and it will be hit at any time.

He had to admit that there were too many moments when he was "hit", and there were many moments of confusion and pain in his life, and the tempering from the body was only part of it. "This question is too difficult," he began to smile bitterly again, "There are so many things happening in the world every day, and there are all kinds of natural and man-made disasters. If emotions can be put into words, wouldn’t it be too simple? After all, people are so complicated."

Just now, he was still talking about how he only lived with dogs when filming "Dog Formation", which was easier than people. Soon, the interview questions from human society stumped Peng Yuyan. "You will ask me how my birthday was, how my life changed, who remembers?" He laughed in distress, showing a child-like expression, but complaining was a complaint, but he still racked his brain to recall, and took the answer out of his head, "Oh, I remember! I’m taking a break for my birthday this year. In the past, every birthday was filming, and it was rare to take a break this year."

In his early twenties, Peng Yuyan made a name for himself by his hard work. After the age of thirty, these hardships were left on his body as medals, along with the wounds and scars left by training and shooting. In the interview during the promotion stage of the movie "Emergency Rescue", he said that the wounds and scars he fell in the past still itch at night. But people rely on their will to survive and use their energy in what they think is right. Now in his forties, he wants to save energy for things he likes in the future, and when he encounters the moment to fight again, he will fight again.

"Experience, I came to this world to experience," he chose to accept all the feelings that appeared, "There is a voice deep in our hearts that we may not be able to hear, but intuition exists, guiding us to do something. I like to climb mountains and go to sea, ski and ride, go to different places around the world to see different cultures, these energy from the outside world are injected into the body, very happy."

If you are not happy occasionally, it doesn’t matter. Peng Yuyan recently received "One Hundred Years of Solitude" from a friend. In the long story, there are so many ups and downs, but the book is over when closed. Returning to his own life, he believes that the key is "forgiveness", "People will be internal friction and fragile, but that is still myself. If it is not good or perfect, I will forgive myself, and these shortcomings will not affect me to become a complete and real person at all."

Produced by PRESENTED KAN Hongjie

Producer & Styling SUPERVISOR & STYLING Chen Liming

PHOTOGRAPHY Alex Huanfa Cheng

SHOOTING COORDINATION French fries

MAKE UP Jane Weiwen

HAIR Yun

Produced by PRODUCER Mai Mai

Interview & Writing INTERVIEW & WRITER Gu Xiang

Video Director VIDEO DIRECTOR Shen Hui

FASHION ASSISTANT Guo Lei, Zi Qi

COVER DESIGN Zhao Youjia

Original title: "HOMMES Cover Story | Peng Yuyan: Strongly Through the Desolation"

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The Ministry of Communications explains how to define online car-hailing

　　Online car-hailing, for the purpose of profit, passengers propose travel plans, mileage, time charges, and ride rides, not for profit. Mainly, drivers propose travel plans and share part of the travel costs. Graphic production/Dunning

　　On July 28, the "Guiding Opinions on Deepening Reform and Promoting the Healthy Development of the Taxi Industry" and "Interim Measures for the Management of Online Booking Taxi Business Services" two taxi industry reform documents were released. On the implementation of local policies, the definition of online car-hailing and ride-hailing, and the fair competition of taxi online car-hailing, the relevant person of the Ministry of Transport once again made an interpretation yesterday. The relevant person in charge made it clear that the Ministry of Transport will guide local governments to formulate practical plans and set up a transition period for reform.

　　On July 28, two taxi industry reform documents – "Guiding Opinions on Deepening Reform and Promoting the Healthy Development of the Taxi Industry" and "Interim Measures for the Management of Online Booking Taxi Business Services" were released, which attracted widespread attention. Yesterday, in the Voice of China special program "Today I am on duty", Zeng Jia, deputy director of the Taxi Management Department of the Transport Services Department of the Ministry of Transport, explained the policy implementation, the definition of ride-sharing, and the development of taxi network ride-hailing competition.

　　Hot 1

　　How will local policies be implemented after the introduction of the New Deal?

　　The Beijing Youth Daily reporter learned that the new regulations have a relatively clear positioning for the development of taxis and the standardized operation of online car-hailing, but the specific implementation details still need to be formulated and clarified by local governments. The interim measures are clear, and the new regulations will be implemented on November 1, 2016. Local governments can formulate specific implementation details according to these measures in light of local conditions.

　　Zeng Jia, deputy director of the Taxi Management Department of the Transport Services Department of the Ministry of Transport, said that there is a reason for delegating the specific details of taxi management to the local area. Taxi management belongs to local affairs. The reform adheres to the principle of territorial management, and the city government bears the main responsibility for management. The level of economic and social development of each city is different. The traffic structure, population size, public transportation level, and the number of existing taxis are all different. They can only be determined by the local people’s governments according to their own actual conditions. There is no problem of delegating the power of price setting and quantity control to the local area, because this itself is the power of the local city, and it is necessary for all localities to adapt to local conditions and implement policies according to the city.

　　The Ministry of Transport has also made arrangements for the implementation of the policy. First, it held a video and telephone conference on the reform of the taxi industry in conjunction with relevant departments to mobilize and deploy the reform work. Second, it will hold a training course in the near future to publicize and implement the main content and spirit of the two documents to local management departments, clarify the operation methods of the relevant issues in the document, and coordinate with local governments to promote the reform of the taxi industry. Third, it will guide local governments to formulate practical plans and grasp the policy scale. Fourth, it will guide local governments to make a good transition plan for the reform transition period.

　　Hot 2

　　What is the difference between ride-hailing and ride-hailing?

　　Zeng Jia believes that ride-hailing is similar to taxis, providing time and displacement services, which occupy road resources. But ride-hailing makes full use of road and vehicle resources without additional consumption of road resources, which is a typical way for urban transportation to reflect the sharing economy.

　　What needs to be made clear is that, first of all, Hitch is generally released by the ride-sharing service provider in advance, or by people who have the same travel route after the passenger’s release, rather than responding according to the passenger’s travel needs. Secondly, Hitch reflects the goodwill and mutual assistance between people, which is obviously different from online ride-hailing operations. Finally, Hitch is not for profit, and part of the travel cost is limited to fuel costs and transportation costs, rather than charging fees through mileage and timing.

　　In addition, this reform document makes clear the opinions to encourage support, but all localities should formulate detailed policies based on local actual conditions.

　　Hot 3

　　How can taxis and ride-hailing companies compete fairly?

　　Zeng Jia believes that before the policy was introduced, there were many reasons for the conflict between new and old business models, and the lack of a fair competition market environment was a very important reason.

　　There are big differences between online car-hailing and traditional taxis in terms of access standards, price mechanism, vehicle safety, scrap management, insurance system, tax payment, etc. In particular, in order to seize the market, online platform companies seize the market through continuous huge subsidies, which in fact causes unfair competition between the two.

　　Therefore, the interim management measures issued clarify the licensing conditions for online car-hailing, and set licensing requirements for platforms, vehicles and personnel. At the same time, it is required that it must not hinder fair competition in the market, must not have unfair price behaviors that disrupt the normal market order at a price lower than the cost, harm the interests of the state or the legitimate rights and interests of other operators, and must not have price violations. These are all to form a level playing field.

　　Zeng Jia pointed out that in the long run, to resolve the conflict and opposition between the two sides, it is still necessary to deepen the reform of traditional industries as soon as possible, standardize the development of online car-hailing, and achieve healthy competition and coordinated development between the two business models. First, accelerate the reform of traditional taxis, and eliminate the shortcomings of the system and mechanism by taking measures such as dynamic regulation of operation scale, restrictions on the period of taxi operation rights and free use, reform of the benefit distribution mechanism, and adjustment of the freight rate mechanism. Second, for new business models, by setting business boundaries, segmenting markets, and providing high-quality services, we can achieve differentiated management and gradually deepen integration and development.

　　Beijing will formulate detailed rules based on actual conditions

　　On July 28, the new regulations on taxi reform at the national level "Guiding Opinions on Deepening Reform and Promoting the Healthy Development of the Taxi Industry" and "Interim Measures for the Management of Online Booking Taxi Business Services" were officially issued. Yesterday, the relevant person in charge of the Beijing Municipal Transportation Commission said that Beijing will resolutely implement the spirit of the two documents, carefully study and understand the content requirements of the documents, and formulate relevant implementation opinions and detailed rules in light of Beijing’s actual situation.

　　Yesterday, the relevant person in charge of the Municipal Transportation Commission Transportation Administration introduced that the new regulations on taxi reform have an important guiding and normative role in the transformation and upgrading of Beijing’s taxi industry and the promotion of the healthy development of online taxis. Beijing will resolutely implement the spirit of the two documents, carefully study and understand the content requirements of the documents, and formulate relevant implementation opinions and detailed rules in light of Beijing’s actual conditions, promote integrated development, improve service levels, and meet the travel needs of the people.

　　At present, there are no relevant documents on the development of online car-hailing for the time being. However, as early as 2013, the Municipal Transportation Commission issued the "Opinions on Beijing Passenger Car Co-hailing Travel", which made it clear that passenger car co-hailing should follow the basic principles of public welfare co-hailing priority, voluntary mutual assistance, safeguarding legitimate rights and interests, standardizing co-hailing behavior, and strictly prohibiting illegal operations, so as to promote its healthy development.

　　Six departments jointly interviewed four online car-hailing companies

　　Yesterday morning, a reporter from Beijing Youth Daily learned from the Ministry of Transport that the Ministry of Transport, the Central Network Information Office, the Ministry of Industry and Information Technology, the Ministry of Public Security, the State Administration for Industry and Commerce, and the State Bureau of Letters and Calls have jointly interviewed four online ride-hailing platform companies, including Didi, Uber, Shenzhou, and Yidao, and asked them to clean up vehicles and drivers that do not meet the requirements in accordance with the new regulations.

　　Vice Minister of Transport Liu Xiaoming said that the reform and development of the taxi industry is not only a matter of people’s livelihood, but also related to social stability. After the two documents on deepening the reform of the taxi industry are issued, relevant enterprises should carefully compare and study, strictly implement relevant regulations, and rectify existing problems. It is required to strictly abide by relevant laws and regulations, especially in accordance with the requirements of the newly issued two documents on deepening the reform of the taxi industry, earnestly fulfill the main responsibility of enterprises and assume social responsibility, speed up the cleaning up of vehicles and drivers that do not meet the requirements, standardize market operation behavior, operate with integrity in accordance with the law, and seek long-term development.

　　After the transition period, relevant functional areas of business will jointly enforce the law, increase the crackdown on illegal operations and other illegal acts, and maintain a good market order in the taxi industry; platform companies that do not implement relevant requirements, violate laws and regulations, and incite disruption of social order will be dealt with in accordance with the law, and the relevant enterprises and their responsible persons will be seriously investigated.

　　This group article/reporter of this newspaper, Liu

2020 Style Awards Fashion Word of Mouth List： Handu Yishe, the most popular young fashion women’s clothing brand of the year.

　　The theme of the 2020 Style Awards is "Digitalization, Sustainability, Chinese Style and New Beauty", and you are invited to pay close attention to the attack and development of the fashion industry. As an authoritative and comprehensive fashion portal, Sina Fashion not only gathers superior resources in the industry, but also never stops exploring the "style iteration". This year, Sina Fashion seriously selected and commended the brands, events and figures with the most style and scientific spirit in the China market, and contributed professional consumption guidance.

　　2020 Style Awards Fashion Word of Mouth List: Handu Yishe, the most popular young fashion women’s clothing brand of the year.

　　Description of the selection of fashion word-of-mouth list for 2020 Style Awards: All the awards are combined with popular netizens’ voting and Weibo big data (number of fans, number of keyword readings, number of mentions, number of searches, comments and praises, etc.) to select the annual word-of-mouth list in the fashion field.

　　Handu Yishe, founded in 2008, focuses on young and fashionable women’s clothing brands, and has led the whole network in sales for 7 consecutive years; In 2020, Handu Yishe is the brand with the largest number of fans in Tmall women’s wear category, winning the favor of over 50 million young women.

Handu Yishe has been leading the sales for 7 consecutive years, winning the attention of over 50 million young consumers.

　　Handu Yishe is not only sought after and loved by young fashion people, but also loved by Chinese and Korean stars. More this year, IU, the first female in Korea, joined Handu Fashion Director. This is the first time that IU has cooperated with China clothing brands since she became the first Gucci brand ambassador in Korea.

　　In the same year, Gianna Jun, a top Korean actress, endorsed Handu Yishe for the second time, and personally participated in the design with IU to bring the "double-faced workplace" series. What deserves crazy Call is that this is the only China women’s clothing brand endorsed by Gianna Jun. The cooperation between two TOP Asian stars has given the brand more connotation and imagination.

　　As a brand focusing on young fashion women’s wear, Handu Yishe has landed in Milan, Paris, new york and other internationally renowned fashion weeks many times; At the same time, we have jointly launched a number of design co-names, such as GUCCI designer Agustina, Hermes designer elahi Ma, and Korean pioneer designer PARK.

　　This year, Handu Yishe established the first young fashion design institute in Asia, and specially invited seven mentor groups, including Hong Enzhu, president of Korea Fashion Designers Association, and Choi Beom Suck, the "fashion king" of Korea, to link the high-quality resources of Chinese and Korean designers, so as to develop more creative and cutting-edge designs and lead the fashion trend.

　　The focus on design and the precise control of young fashion have made Handu Yishe sought after and loved by young fashion people. If you want to know the new trends of young fashion and see what new items Handu Yishe released in the season, you can get it in one second!

　　The latest double-sided workplace series jointly launched by Gianna Jun X Handu Yishe X IU is entirely a masterpiece. Among them, the series designed by IU, the fashion director of Handu, is mainly based on the future retro style, which combines the unique retro style of the Millennium with the romantic and sweet elements of the avant-garde women in the future workplace to create a brand-new "trend play". Gianna Jun’s co-branded series mixes the elements of modern street fashion, presenting the exquisite sense of metropolis and trend in a brand-new way, and creating a unique imprint of "double-faced women in the workplace" for future commuters. See IU and Gianna Jun demonstration, not enough? Then it’s better to capture some fashion details!

　　Shirts with wooden ears are overlapped with turtlenecks, and then matched with plaid tweed. This classic wearing method not only increases the level of modeling, but also reduces the age of wearing, while at the same time being playful.

　　Handu Yishe, which was released by authoritative trend agency WGSN in 2020 and focused on the trend, also keenly captured the trend of fashion colors in this series. Printed sweaters with purple as the main color are a must-buy item for fashion experts.

　　How can the little fairy’s wardrobe be short of bubble sleeves? The top of bubble sleeves is responsible for creating a palace texture, while the contrasting plaid pleated skirt is cool. Dressed in a mix-and-match style, the "Handu Girls" hold on to the trends.

　　Combining caring elements with metallic materials, injecting more brilliant feminine charm into cool and handsome motorcycle jackets through gloss and mirror effect, which may be the secret of Gianna Jun’s cool style that never lacks femininity.

　　The woolen coat is decorated with a detachable and practical metal chain, which instantly makes your coat item a story-telling "explosion".

　　The mastery of various popular elements and the insistence on design innovation have made Handu Yishe always at the forefront of the trend since its establishment. These hard-core strengths not only make Handu Yishe the most popular young fashion women’s clothing brand in this year’s fashion word-of-mouth list, but also enable him to contract your wardrobe ~